Black Sabbath (1963)
Three tales of terror: a threatening phone call; an ancient evil; and a ghostly morality tale.
Black Sunday (1960)
A witch plots to return as a vampire after 200 years in her tomb and possess the body of the princess who shares her appearance.
Blood And Black Lace (1964)
Six models are stalked by a psychopath.
Danger: Diabolik (1968)
An audacious, costumed thief seeks out new challenges despite knowing the authorities are out to capture him.
Five Dolls For An August Moon (1970)
A wealthy industrialist gathers his friends on a remote island for a party, but they soon realise that there's a killer on the lose.
The Girl Who Knew Too Much (1963)
A young women who loves crime novels thinks she may have uncovered a real life murder mystery.
Planet Of The Vampires (1965)
The crews of twin spaceships find themselves in trouble on an alien world where their dead colleagues mysteriously return to life.
The Whip And The Body (1965)
The ghost of a sadistic nobleman attempts to rekindle his romance with his terrorised, masochistic former lover, who is unwillingly engaged to his brother.
News

Inviting curiosity Ildikó Enyedi on the value of science, perception, discovery and Silent Friend

Streaming Spotlight: the rites of Spring We shine our Beltane spotlight on films in which the old ways linger

Fighting fit for a debut feature Valéry Carnoy talks toxic masculinity, memory, confidence and Belgian 'soft-power'

Collective power We look ahead at the programme of this year's Folk Film Gathering

Writing hidden messages Arnaud Desplechin on guilt, melodrama, feeling haunted, and Two Pianos

Clever crafting with Idiots Chris Barfoot on his six-camera set up and three-day shoot of his debut feature

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It's a busy time for festivals and here's the latest from the spring events:


Cannes 16 titles added to line-up


Cannes Announces full jury


Cannes Directors' Fortnight selection


Cannes Payal Kapadia heads Critics' Week jury